An American Dream Read online

  Praise for Norman Mailer

  “[Norman Mailer] loomed over American letters longer and larger than any writer of his generation.”

  —The New York Times

  “A writer of the greatest and most reckless talent.”

  —The New Yorker

  “Mailer is indispensable, an American treasure.”

  —The Washington Post

  “A devastatingly alive and original creative mind.”

  —Life

  “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”

  —The New York Review of Books

  “The largest mind and imagination at work [in modern] American literature … Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”

  —Chicago Tribune

  “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”

  —The Cincinnati Post

  2013 Random House eBook Edition

  Copyright © 1964, 1965 by Norman Mailer

  Copyright renewed 1992, 1993 by Norman Mailer

  All rights reserved.

  Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House LLC, New York, a Penguin Random House Company.

  RANDOM HOUSE and the HOUSE colophon are registered trademarks of Random House LLC.

  Originally published in hardcover in the United States by The Dial Press, New York, in 1965.

  An American Dream appeared, in a different form, in Esquire.

  “Deep Purple,” music by Peter DeRose—lyrics by Mitchell Parish. Copyright © 1934, 1939 (renewed) EMI Robbins Catalog Inc. All rights reserved. Used by permission of Warner Bros. Publications U.S. Inc., Miami, FL, 33014.

  Variant of the original lyrics of “Hong Kong Blues” by Hoagy Carmichael. Copyright © 1939 by Hoagy Publishing Company. Administered by PSO Limited. Copyright renewed. All rights reserved. Used by permission.

  “Love for Sale” by Cole Porter. Copyright © 1930 (Renewed) by Warner Bros. Inc. All rights reserved. Used by permission of Warner Bros. Publications U.S. Inc., Miami, FL, 33014.

  “The Lady Is a Tramp” by Richard Rodgers and Lorenz Hart. Copyright © 1937 (Renewed) by Chappell & Co. Rights for extended Renewal Term in U.S. controlled by Warner Bros. Inc. o/b/o the Estate of Lorenz Hart and the Family Trust U/W Richard Rodgers and the Family Trust U/W Dorothy F. Rodgers (administered by Williamson Music). All rights reserved. Used by permission of Warner Bros. Publications U.S. Inc., Miami, FL, 33014 and Williamson Music Company.

  Library of Congress Cataloging-in-Publication Data

  Mailer, Norman

  An American dream / by Norman Mailer.

  p. cm.

  eISBN: 978-0-8129-8597-9

  www.atrandom.com

  v3.1

  To Beverly and to Michael Burks

  An Appreciation to

  Anne Barry

  Richard Baron

  Walter Minton

  Harold Hays

  Donald Fine

  and not least

  Scott Meredith

  CONTENTS

  Cover

  Title Page

  Copyright

  Dedication

  1 / The Harbors of the Moon

  2 / A Runner from the Gaming Room

  3 / A Messenger from the Maniac

  4 / Green Circles of Exhaustion

  5 / A Catenary of Manners

  6 / A Vision in the Desert

  7 / A Votive Is Prepared

  8 / At the Lion and the Serpent

  EPILOGUE / The Harbors of the Moon Again

  About the Author

  Other Books by This Author

  1 / The Harbors of the Moon

  I MET Jack Kennedy in November, 1946. We were both war heroes, and both of us had just been elected to Congress. We went out one night on a double date and it turned out to be a fair evening for me. I seduced a girl who would have been bored by a diamond as big as the Ritz.

  She was Deborah Caughlin Mangaravidi Kelly, of the Caughlins first, English-Irish bankers, financiers and priests; the Mangaravidis, a Sicilian issue from the Bourbons and the Hapsburgs; Kelly’s family was just Kelly; but he had made a million two hundred times. So there was a vision of treasure, far-off blood, and fear. The night I met her we had a wild ninety minutes in the back seat of my car parked behind a trailer truck on a deserted factory street in Alexandria, Virginia. Since Kelly owned part of the third largest trucking firm in the Midwest and West, I may have had a speck of genius to try for his daughter where I did. Forgive me. I thought the road to President might begin at the entrance to her Irish heart. She heard the snake rustle however in my heart; on the telephone next morning she told me I was evil, awful and evil, and took herself back to the convent in London where she had lived at times before. I did not know as yet that ogres stand on guard before the portal of an heiress. Now in retrospect I can say with cheer: that was the closest I came to being President. (By the time I found Deborah again—all of seven years later in Paris—she was no longer her father’s delight, and we were married in a week. Like any tale which could take ten books, it is best to quit it by a parenthesis—less than ten volumes might be untrue.)

  Of course Jack has gone on a bit since those days, and I have traveled up and I have voyaged down and I’ve gone up and down, but I remember a full moon the night we had our double date, and to be phenomenologically precise, there was also a full moon on the night I led my patrol to the top of a particular hill in Italy, and a full moon the night I met another girl, and a full moon.… There are times when I like to think I still have my card in the intellectual’s guild, but I seem to be joining company with that horde of the mediocre and the mad who listen to popular songs and act upon coincidence. The real difference between the President and myself may be that I ended with too large an appreciation of the moon, for I looked down the abyss on the first night I killed: four men, four very separate Germans, dead under a full moon—whereas Jack, for all I know, never saw the abyss.

  Of course, I did not have any illusion that my heroism was the equal of his. I got good for one night. I was a stiff, overburdened, nervous young Second Lieutenant, fresh from Harvard, graduated a year behind Prince Jack (we never met—not there). I had gone into the Army with a sweaty near-adolescent style, Harvard on the half-shell (“Raw-Jock” Rojack was the sporting name bestowed on me in House Football) and I had been a humdrum athlete and, as a student, excessively bright: Phi Beta Kappa, summa cum laude, Government.

  Small wonder I was thus busy working to keep some government among the hard-nosed Southerners and young Mafiosos from the Bronx who made up the double nucleus of my platoon, working so busily that death this night first appeared to me as a possibility considerably more agreeable than my status in some further disorder. I really didn’t care much longer whether I stayed alive. When I steered us up the hill therefore to get pinned down in a long, bad line, one hundred feet from the summit, a modest twin dome, a double hill with a German machine gun on one knoll and a German machine gun on the other, I was so ready to die in atonement I was not even scared.

  Trapped beneath a rusty sputter—the guns had not quite found me nor any of the others—the full moon giving a fine stain to the salient of our mood (which was fear and funk and a sniff of the grave), I could nonetheless feel danger withdraw from me like an angel, withdraw like a retreating wave over a quiet sea, sinking quietly into the sand, and I stood and then I ran, I ran up the hill into the aisle of safety I felt opening for me which is part of what captured that large decoration later, because th
e route I took was under the separate fire of each of those guns and the two together could stitch you to a pulp. Their fire was jagged, however, it was startled, and as I ran, I threw my carbine away, out ten yards to the front of me, crossed my arms to pull a grenade from each shirt pocket, pulled the rings with my teeth, which I had hardly been able to do in practice (much too hard on the teeth), released the spoon handles, the fuse now lit, and spitting, and shot my arms out like the wings of the letter Y. The grenades sailed away in separate flights and I had time to stop, turn around; and dive back for my carbine which I had overrun.

  Years later I read Zen in the Art of Archery and understood the book. Because I did not throw the grenades on that night on the hill under the moon, it threw them, and it did a near-perfect job. The grenades went off somewhere between five and ten yards over each machine gun, blast, blast, like a boxer’s tattoo, one-two, and I was exploded in the butt from a piece of my own shrapnel, whacked with a delicious pain clean as a mistress’ sharp teeth going “Yummy” in your rump, and then the barrel of my carbine swung around like a long fine antenna and pointed itself at the machine-gun hole on my right where a great bloody sweet German face, a healthy spoiled overspoiled young beauty of a face, mother-love all over its making, possessor of that overcurved mouth which only great fat sweet young faggots can have when their rectum is tuned and entertained from adolescence on, came crying, sliding, smiling up over the edge of the hole, “Hello death!” blood and mud like the herald of sodomy upon his chest, and I pulled the trigger as if I were squeezing the softest breast of the softest pigeon which ever flew, still a woman’s breast takes me now and then to the pigeon on that trigger, and the shot cracked like a birth twig across my palm, whop! and the round went in at the base of his nose and spread and I saw his face sucked in backward upon the gouge of the bullet, he looked suddenly like an old man, toothless, sly, reminiscent of lechery. Then he whimpered “Mutter,” one yelp from the first memory of the womb, and down he went into his own blood just in time, timed like the interval in a shooting gallery, for the next was up, his hole-mate, a hard avenging specter with a pistol in his hand and one arm off, blown off, rectitude like a stringer of saliva across the straight edge of his lip, the straightest lip I ever saw, German-Protestant rectitude. Whap! went my carbine and the hole was in his heart and he folded back the long arm with the pistol, back across his chest to cover his new hole and went down straight and with a clown’s deep gloom as if he were sliding down a long thin pipe, and then I turned, feeling something tear in my wound, nice in its pain, a good blood at liberty, and I took on the other two coming out of the other hole, one short stocky ape-like wretch with his back all askew, as if he’d had a false stuffed hump which shrapnel had disgorged beyond his shoulder blade: I fired at him and he went down and I never knew where it hit nor quite saw his face; then the last stood up straight with a bayonet in his hand and invited me to advance. He was bleeding below his belt. Neat and clean was his shirt, level the line of his helmet, and nothing but blood and carnage below the belt. I started to rise. I wanted to charge as if that were our contract, and held, for I could not face his eyes, they now contained all of it, the two grenades, the blood on my thigh, the fat faggot, the ghost with the pistol, the hunchback, the blood, those bloody screams that never sounded, it was all in his eyes, he had eyes I was to see once later on an autopsy table in a small town in Missouri, eyes belonging to a redneck farmer from a deep road in the Ozarks, eyes of blue, so perfectly blue and mad they go all the way in deep into celestial vaults of sky, eyes which go back all the way to God is the way I think I heard it said once in the South, and I faltered before that stare, clear as ice in the moonlight, and hung on one knee, not knowing if I could push my wound, and suddenly it was all gone, the clean presence of it, the grace, it had deserted me in the instant I hesitated, and now I had no stomach to go, I could charge his bayonet no more. So I fired. And missed. And fired again. And missed. Then he threw his bayonet at me. It did not reach. He was too weak. It struck a stone instead and made a quivering whanging sound like the yowl of a tomcat on the jump. Then it stopped between us. The light was going out in his eye. It started to collect, to coagulate into the thick jelly which forms on the pupil of a just-dead dog, and he died then, and fell over. Like a noble tree with rotten roots. And the platoon was up around me, shooting a storm into those two holes, and they were cheering, buzzing, kissing my mouth (one of the Italians for certain), pounding my back. “Get off him, he’s wounded,” shouted somebody, the Sergeant, and I felt like a halfback who has caught a fifty-yard pass and run another forty-eight for the longest touchdown in the history of the school, except that the final excellence of it was smuggled away since the ball squiggled out of my arms as I ran it out past the end zone. I had scored, but no football in my belly at the end, just six points. And those blue eyes kept staring into the new flesh of my memory until I went over with a thud, a wave from the wound carrying me back, forcing my head to the ground with some desire of its own. “Medics,” I heard a man yell.

  I was carried out later on a stretcher, an X-ray showed a minor crack and small split in the girdle of the pelvis. I was evacuated to a base hospital, then sent to New York where I was given a Distinguished Service Cross, not anything less, and was used for the last year to bring good public relations for the Army. Which I did, showing the trace of a distinguished limp. A hero in mid-’44, a hero for all of ’45, surviving even V-J Day, I had my pick of opportunities and used them. I went around for a time speaking with Mrs. Roosevelt at one honorable drive after another, and she liked me. She encouraged me to think of politics. Those became the years when the gears worked together, the contacts and the insights, the style and the manufacture of oneself. It all turned together very well, I was a curiosity after all, a most special product; I was the one intellectual in America’s history with a DSC and I spoke in public with a modest warrior’s charm.

  About the time the Party machine in New York County was sorting through its culls and giving me odd off-hand invitations to lunch with the Cardinal and the Bishop (“One question, son,” asked the first Eminence, “do you believe in God?” “Yes, your Eminence”) Mrs. Roosevelt was introducing me to Protestant gentry and Jewish gentry and, yes, it all began to fit and fit so well I came out, by the end, a candidate for Congress, and was then elected. Congressman Stephen Richards Rojack, Democrat from New York.

  Now, I could go into more detail about the precise sequence of steps which left me a young Congressman in 1946 at the age of twenty-six—the moves were not automatic after all, but that would merely describe the adventures of the part which I as a young actor was playing. There are any number of movie stars who capture the love of women they have never seen; the poor husbands of those women are in competition with a man they cannot meet. But I think of those particular few movie stars who are not only profiles for a great lover, but homosexual and private in their life. They must live with insanity on every breath. And something which could correspond to this was true for me. Where many another young athlete or hero might have had a vast and continuing recreation with sex, I was lost in a private kaleidoscope of death. I could not forget the fourth soldier. His eyes had come to see what was waiting on the other side, and they told me then that death was a creation more dangerous than life. I could have had a career in politics if only I had been able to think that death was zero, death was everyone’s emptiness. But I knew it was not. I remained an actor. My personality was built upon a void. Thus I quit my place in politics almost as quickly as I gained it, for by ’48 I chose to bolt the Democratic Party and run for office on the Progressive ticket. Henry Wallace, Glen Taylor, and me. I had reasons for the choice, some honorable, some spurious, but one motive now seems clear—I wanted to depart from politics before I was separated from myself forever by the distance between my public appearance which had become vital on television, indeed nearly robust, and my secret frightened romance with the phases of the moon. About the month you decide not to ma
ke a speech because it is the week of the full lunar face you also know if still you are sane that politics is not for you and you are not for politics.

  Now, that was a long time ago. Since then I had, as I say, gone up, and I had certainly gone down, and I had gone up and down. I was now at a university in New York, a professor of existential psychology with the not inconsiderable thesis that magic, dread, and the perception of death were the roots of motivation; I was a personality on television and an author of sorts: I had had one popular book published, The Psychology of the Hangman, a psychological study of the styles of execution in different states and nations—death by guillotine, firing squad, by rope, by electric chair, by gas pellets—an interesting book. I had also—as I indicated—become the husband of an heiress, and I had been most unsuccessful at that. In fact I had come to the end of a very long street. Call it an avenue. For I had come to decide I was finally a failure.

  I had had a bad year this last year, and for a while it got very bad; I may as well admit that for the first time in my life I had come to understand there was suicide in me. (Murder I had known was there for a long time.) It was the worst of discoveries, this suicide. Murder, after all, has exhilaration within it. I do not mean it is a state to entertain; the tension which develops in your body makes you sicken over a period, and I had my fill of walking about with a chest full of hatred and a brain jammed to burst, but there is something manly about containing your rage, it is so difficult, it is like carrying a two-hundred-pound safe up a cast-iron hill. The exhilaration comes I suppose from possessing such strength. Besides, murder offers the promise of vast relief. It is never unsexual.

  But there is little which is sexual about suicide. It is a lonely landscape with the pale light of a dream and something is calling to you, a voice on the wind. Certain nights I would go leaden with dread because I could hear the chamber music tuning up, tuning up and near to pitch. (Yes, murder sounds like a symphony in your head, and suicide is a pure quartet.) I was approaching my forty-fourth year, but for the first time I knew why some of my friends, and so many of the women I had thought I understood, could not bear to be alone at night.